The movie's sense of doom is powerfully conveyed; one graphic scene has weeping soldiers blowing themselves up with grenades.. Though it could have gone in that direction, Eastwood's film isn't an existential endgame drama. He's still more rooted in Howard Hawks than Samuel Beckett and in many ways this is a conventional war drama.. The proper way to appreciate Letters and Flags is to treat them as complimentary halves of the same epic movie, a Godfather war epic. One half is plainly more ambiti...
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